1990-1991
Bayonne, NJ,, a series of polyptychs based on the life of workers at a brass foundry in Bayonne, New Jersey, exhibited at FIAK, Paris (Montenay/Giroux Frederic Gallery).
In the style of Soviet leaders, K&M arrange a meeting between the elite of New York’s art world and the proletariat (Bayonne workers) in a fancy restaurant in Soho. Andrew Solomon, The Irony Tower: Soviet Artists in a Time of Glasnost (New York: Alfred A. Knopf, 1991).
Robert Hughes, Nothing If Not Critical (New York: Alfred A. Knopf, 1990), pp. 279-281.
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